The Seminar leader
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Roee Rosen (b. 1963) is an Israeli-American artist, filmmaker and writer. He is known for his multilayered and provocative work which often challenges the divides between history and the present, documentary and fiction, politics and erotics.
Rosen dedicated years to his fictive feminine persona, the Jewish-Belgian Surrealist painter and pornographer Justine Frank, a project that entailed fabricating her entire oeuvre as a book and a short film, Two Women and a Man (2005). The film won a special mention on its premiere at the Oberhausen short film festival, The book, Justine Frank, Sweet Sweat (Sternberg Press) was listed as one of the best books of 2009 by Artforum magazine. In 2010 Rosen created two films. Hilarious and Out, in which a BDSM session becomes a political exorcism. Out premiered at the Venice film festival, where it won the Orizzonti award for best medium-length film. The film went on the win numerous awards, including a nomination for the European Academy award. |
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In 2017 Sternberg Press published a collection Rosen’s scripts and political texts, Live and Die as Eva Braun and Other Intimate Stories. Rosen’s latest film, The Dust Channel was coproduced by Documenta 14, where it was exhibited along with two historical text and image installations: The Blind Merchant and Live and Die as Eva Braun. Several retrospectives of Rosen's cinema were held, among them at the Oberhausen film festival (2012), La Roche sur Yon festival (2013), and FICUNAM festival, Mexico City (2018). A solo exhibition and a film retrospective of Roee Rosen are forthcoming in 2018 at Centre Pompidou, in collaboration with Jeu de paume, Paris. Rosen is a professor at Ha'Midrasha Art College, and at the Bezalel Art Academy, both in Israel.
http://roeerosen.com
http://roeerosen.com
The Seminar participants
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Loukia Alavanou (b.1979, Athens) is a visual artist and filmmaker who has been working with film and exhibiting her work internationally for over a decade. With direct references to a Greek modernity, her narratives are placed between the West and the particular morphology of Greece, embroiling her works with found footage fragments and symbolisms from the political history of post-dictatorial Greece, as well as the cultural signifiers of the European North. Alavanou completed an MA in photography at the Royal College of Art. In 2007 she won the DESTE Prize. She currently holds a retrospective exhibition at State of Concept, Athens (2018). Other solo exhibitions include Kanelopoulos Cultural Centre, Elefsis, Rodeo, Istanbul, Haas & Fischer, Zurich.
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She has participated in numerous group exhibitions and worked with institutions including BOZAR - Brussels, SMFA - Boston, Palais de Tokyo - Paris, The Benaki Museum - Athens, State Museum of Contemporary Art - Thessaloniki, The Museum of Cycladic Art – Athens, New Museum - NY, The ikob Museum of Contemporary Art - Eupen, Moscow Biennale, Fiorucci Art Trust - Stromboli, Onassis Cultural Centre - Athens. Festivals participation include: Kasseler Dokfest (2017), 62nd Oberhausen Film Festival (2016), Viennale (2015), KINO DER KUNST (2015), EMAF (2014). Alavanou’s work has been included in numerous publications and has been addressed extensively by acclaimed writers such as the British psychoanalyst and art critic Darian Leader or the American artist- historian and feminist scholar Carol Mavor.
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Hanna Maria Anttila (b. 1974, Savonlinna, Finland) is an artist and a producer based in Helsinki. She studied at the Academy of Fine Arts in Helsinki Finland and at the School of Visual Arts in New York. Anttila is interested in how societal changes become visible in everyday life and its details. Careful composition, clarity of form and precise punctuation are characteristic to her work. Her latest film Last Birds is an homage to the industrial glassblowing tradition and the skills of a glassblower. The storyline revolves around a young glassblower Kirsi Anttila and her family. The piece was shot at Nuutajärvi village, where the oldest glass factory in Finland was located until 2014. Nuutajärvi is a typical example of a small locality that loses its livelihood, based on specialised skills, in the hands of globalisation and the pressures of streamlining. The changes taking place in the community surrounding Kirsi Anttila speak also about a larger societal shift which affects us all. Hanna Maria Anttila received a one year artist grant from the Finnish Cultural foundation for 2018–2019 to develop her next film, which will explore cross-generational war trauma in Europe.
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Hanna Maria Anttila also works as the director of AV-arkki, the Distribution Centre for Finnish Media Art in addition to her artistic work. AV-arkki has been a pioneering distributor of Finnish media art since 1989 and has opened up opportunities for artists to get their works recognized internationally. The activities of AV-arkki have contributed to the success that Finnish media art enjoys today. These activities are unique in both Finland and the other Nordic countries.
website: www.hannamaria.net
www.av-arkki.fi
website: www.hannamaria.net
www.av-arkki.fi
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Rebecca Jane Arthur is a visual artist working predominantly with the moving image and writing. Her works revolve around portraits of people and places, and her interest lies in personal stories that depict a socio-political context and history. Arthur obtained her MFA at the Royal Academy of Arts (KASK) in Ghent, after completing her BFA at Sint-Lukas Brussels and the Academy of Fine Arts Vienna. She recently exhibited her work at Tallinn Photomonth 2017: Contemporary Art Biennial; ARGOS Centre for Art and Media, Brussels; Convent, Ghent; and Courtisane Festival: Notes on Cinema 2017, Ghent, among others. She is currently working as a researcher on the art-based research project Six Formats on the format ‘Screening’. The project is run by Ingrid Cogne and Felicitas Thun-Hohenstein, funded by FWF-Peek, and hosted by the Academy of Fine Arts Vienna. Parallel to her artistic practice, she is an editor, translator and moving image producer. She is currently working for Auguste Orts (BE) and is co-founder of elephy, a production and distribution platform for film and media arts based in Brussels.
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selected works:
"Readymades with Interest": https://vimeo.com/139473605
"Post Post Scriptum": http://elephy.org/projects/post-post-scriptum
"Een Kleine Geschiedenis/A Small History": https://vimeo.com/253831741
"Changing Places": https://vimeo.com/253831150
website: www.elephy.org
"Readymades with Interest": https://vimeo.com/139473605
"Post Post Scriptum": http://elephy.org/projects/post-post-scriptum
"Een Kleine Geschiedenis/A Small History": https://vimeo.com/253831741
"Changing Places": https://vimeo.com/253831150
website: www.elephy.org
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Prerna Bishnoi is an artist, filmmaker and researcher currently residing in Trondheim, Norway. She recently completed her MFA from Trondheim Academy of Fine Art and now works as a project coordinator and artist researcher at LevArt, a municipal public art operation. Her artistic practice takes place in both India (specifically Bangalore) and Norway. She makes videos, sound pieces, workshops, and games and writes texts, often in collaboration. She locates herself with/in agonistic public spaces, struggles of commoning and the social architecture of institutions. Conditions of work and play are common themes in her projects. She usually addresses ‘work’ through play, leisure and pleasure. These themes are relevant and frame the spaces, institutions and communities she does research in.
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At the seminar she is looking forward to discussions about performativity in filmmaking / filmmaking as a performative gesture and a public action. She is interested in how can the screening space or event provide the conditions for study. She would also like to learn more about historical and contemporary political potentials of film societies/ film clubs.
selected works:
"Larpy: Starring Me, You and Chief Belief Officer": https://youtu.be/tMsaOyR1Pko
website: www.prernabishnoi.weebly.com
"Larpy: Starring Me, You and Chief Belief Officer": https://youtu.be/tMsaOyR1Pko
website: www.prernabishnoi.weebly.com
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Jaclyn Bruneau is a writer, critic and editor in Toronto, Canada. Her work engages contemporary art, film, script-writing, memoir, queerness, grief, institutional critique and the absurd. In 2017, she completed a year-long research project on contemporary cultural criticism and participated in Art Metropole's Close Workshop on the writing of grief and mourning. She took part in The Banff Centre's Critical Art Writing Ensemble II in 2016 and was the Editorial Resident at Canadian Art in 2015. She has held positions at The Power Plant, Contemporary Art Gallery, Capture Photography Festival, Vancouver International Film Festival, Vancouver Latin American Film Festival and New Forms Festival. She's the managing editor of MICE, an online periodical devoted to critical writing and artist projects about and within moving image culture.
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website: www.jacbruneau.net
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Kiri Dalena lives and works in Manila, Philippines. She studied Human Ecology in the University of the Philippines and 16mm documentary filmmaking at the Mowelfund Film Institute. Her work examines, discusses and contextualizes historical and present sociopolitical topics, particularly in the Philippine framework, from the position of an actively involved citizen, artist and filmmaker. She uses various media such as photography, sculpture, video, and film to develop projects that uphold human rights amidst state persecution and the structural disproportionateness of the political and the economic democracy in the Philippines. Her work has been exhibited in international art spaces and festivals including Museum of Contemporary Art & Design, Manila, Museum of Contemporary Art, Tokyo, Württembergischer Kunstverein, Stuttgart, Mori Art Museum, Museum of Contemporary Art, Taipei, Queensland Art Gallery | Gallery of Modern Art, Singapore Art Museum, Fukuoka Asian Art Museum, Japan, SA SA BASSAC Phnom Penh, Cambodia, Oberhausen Short Film Festival, Visions du Reel, Nyon, Switzerland, Festival International de Films de Femmes, Creteil, France. She has co-initiated activist film collectives such as the Southern Tagalog Exposure (2001), and artists/activist alliances such as Artists Response to the Call for Social Change, Artists’ ARREST (2005) and Respond and Break the Silence Against the Killings, RESBAK (2016). She has also initiated platforms for alternative and independent filmsin Metro Manila (Cinekatipunan 2006-2007, Kontra Agos Film Festival 2007).
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selected works:
"Requiem for M" (2010): https://www.youtube.com/watch?v=cSQqWP3PWbM&t=34s
"Vers le Ciel" (2014): https://www.youtube.com/watch?v=iKfa05I0fRo
"The Women of Malolos" (2013)
"The Guerrilla is a Poet" (2013)
"Memorial for Filipino Journalists" (2011)
"Red Saga" (2004)
"Echo of Bullets" (2003)
website: http://www.1335mabini.com/kiri-dalena-1
"Requiem for M" (2010): https://www.youtube.com/watch?v=cSQqWP3PWbM&t=34s
"Vers le Ciel" (2014): https://www.youtube.com/watch?v=iKfa05I0fRo
"The Women of Malolos" (2013)
"The Guerrilla is a Poet" (2013)
"Memorial for Filipino Journalists" (2011)
"Red Saga" (2004)
"Echo of Bullets" (2003)
website: http://www.1335mabini.com/kiri-dalena-1
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Helen Dowling is a British, Netherlands based artist working in video and installation. Her interests lie in the characteristics of attention, empathy, emotion in the act of watching, and the building, evolving methods of self identification, expectation and understanding through recorded material. She studied at Goldsmiths College (BA) and The Slade School of Fine Art (MA) and her work has been presented at the Centre for Contemporary Arts in Glasgow UK, EYE Filmmuseum NL, Tale of a Tub NL, University of Toronto Art Centre CA, DOX Centre for Contemporary Art CZ, Blue Coat Gallery UK, The Castelvecchio Museum IT, Villa Romana IT, CareOf IT and the Kunstquartier Bethanien DE.
Previous residency programmes and workshops including Kunsthuis SYB NL, VISIO – European Workshop on Artists’ Moving Images IT, Via Farini IT, Fondazione Antonio Ratti, IT, and the Rijksakademie van beeldende kunsten, NL, supported by a Henry Moore Institute Research Fellowship and Fellowship Cees en Inge de Bruin-Heijn. |
website: www.helendowling.com
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Kaya Erdinç is a practitioner of cinesthetics and film thinker. Based between Vienna, Maastricht and Istanbul, he constantly tries to work through emancipatory positions towards film history – and all of its possible ramifications. Writing for Jugend ohne Film, but also a variety of literary journals, the attempts to scrutinize his own position as a filmer necessarily seep outside the constraints of any set medium. An attitude formed in close conjunction with philosopher Bibi Straatman, who enabled him to feel free enough to write a cinema-driven poetry book and conduct vulnerably energetic moments of film curatorship. After several epistemological excavations – most notably Béla Tarr’s film.factory, wonderfully disastrous from an educational point of view – he now studies at the Academy of Fine Arts in Vienna with the aim to further develop his filmic quill.
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selected works:
"Doc’s Kingdom 2017: Flat surfaces and the deepest of pits" (Jugend ohne Film, November 2017)
"On the time-full practice of being care-full" (Jugend ohne Film, May 2017)
"Does it matter with whom we watch our most formative films?" (Jugend ohne Film, August 2016)
"It takes One to Know One: Experiencing Khavn de La Cruz's 13-Hour 'Simulacrum Tremendum'" (MUBI Notebook, March 2016)
"When some of the youngest belong to the most old-fashioned" (Festivalists, December 2015)
"Some Rare Instructions for Keeping Cinema on a Leech" (chapbook, April 2017)
"It's about: Time" (2017)
"Een ansicht van Duras" (2017)
"The Exfoliation of a Cinephilic Eye" (2015)
"Doc’s Kingdom 2017: Flat surfaces and the deepest of pits" (Jugend ohne Film, November 2017)
"On the time-full practice of being care-full" (Jugend ohne Film, May 2017)
"Does it matter with whom we watch our most formative films?" (Jugend ohne Film, August 2016)
"It takes One to Know One: Experiencing Khavn de La Cruz's 13-Hour 'Simulacrum Tremendum'" (MUBI Notebook, March 2016)
"When some of the youngest belong to the most old-fashioned" (Festivalists, December 2015)
"Some Rare Instructions for Keeping Cinema on a Leech" (chapbook, April 2017)
"It's about: Time" (2017)
"Een ansicht van Duras" (2017)
"The Exfoliation of a Cinephilic Eye" (2015)
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Sarah Friedland is a filmmaker and choreographer working at the intersection of moving images and moving bodies. Through narrative filmmaking, experimental dancefilm, and live dance performance, she researches the moving habits and conditions of contemporary bodies and how they are represented in moving image forms. Her films have screened in festivals including New Directors/New Films, New Orleans Film Festival, Cucalorus Festival, Anthology Film Archives, at dozens of screendance festivals internationally and have been featured on PBS' Channel Thirteen and on Vimeo as a "Music Video We Love." Her live dance works have been presented in dance spaces across NYC including Dixon Place, WestFest Dance at Martha Graham Studio, Triskelion Arts, and Brooklyn Arts Exchange. She graduated from Brown University's department of Modern Culture and Media and began her career assisting filmmakers including Steve McQueen, Mike S. Ryan, Kelly Reichardt, and the team behind HBO's GIRLS. She is currently residing in Bologna, Italy while making CROWDS, a dancefilm installation with Art Factory International.
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website: www.motionandpictures.com
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John Greyson is a Toronto film/video artist whose works include installations, features, shorts and artists books. Titles include: Last Car (2017), Bulldozer Bronfman (2016), Fig Trees (2009), Rex vs. Singh (2006), Proteus (2003), Lilies (1996) and Zero Patience (1993). Often exploring issues of queer activism and social justice, they combine idioms of contemporary opera, documentary and pop culture. Upcoming projects include an 'opera' about the bombing of the Baghdad film archives, a film/ballet about a Cairo prison, and a two-part PhD (film and novel) about BDS and queer struggles with Palestine solidarity.
selected works: "14.3 Seconds": http://vimeo.com/28769064 (PW: realtime) "Excerpts of films": https://vimeo.com/182422335 "Pink Diss": https://vimeo.com/242787998 (PW: grassynarrows) |
Through film, collage and immersive work, Sabine Groenewegen practices with speculative fiction to explore submerged pasts, interrogate the present, and imagine possible futures. Her first film is coproduced by Argos Centre for Art and Media and Spectre Productions, with support including from the Dutch Broadcasting Foundation, Flanders Audiovisual Fund, and Danish Art Foundation. She is currently developing work which examines the way our ancestors' experiences are part of our present and future psychobiological reality.
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Nicolas Helm-Grovas is a writer and researcher based in London. He submitted a doctoral thesis in Media Arts at Royal Holloway, University of London in January 2018, entitled ‘Laura Mulvey and Peter Wollen: Theory and Practice, Aesthetics and Politics, 1963-1983’. He has published on semiotics and on the British radical and experimental film magazine Afterimage in Moving Image Review and Art Journal and in Other Cinemas: Politics, Culture, and Experimental Film in the 1970s, edited by Sue Clayton and Laura Mulvey (London: I. B. Tauris, 2017). He has organised and programmed various events and screenings, including ‘Reactivating the 1970s: Radical Film and Video Culture in Theory and Practice’, co-organised with Clarissa Jacob and Ed Webb-Ingall (Open School East, 2016), and most recently ‘Why Be Something You’re Not?’, programmed as part of a series of screenings of works from the London Community Video Archive (DIY Space for London, 2017). He is currently Writer in Residence at Jerwood Visual Arts, London.ere to edit.
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Malin Hüber is a curator and a producer within the field of moving image, based in Stockholm, Sweden. Malin’s projects are includes artists engaging in narratives situated in-between the contexts or film and art, she strives for a practice that allows her to explore the fluidity between the roles of that of the curator and the producer. Malin is one of the founders of HER Film, an independent production company that focuses on new voices and new narratives, currently developing Petra Bauer’s documentary Workers and Lap-See Lam and Wingyee Wu’s hybrid Mother’s Tongue. Malin holds an MFA in film from Valand Academy in Gothenburg and is participating in this years edition of Curator Lab at University of Arts and Crafts in Stockholm.
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Emilia Izquierdo is a moving image artist based in London, UK working in video art using hand drawn animation, painting, digital technology and archival video/sound footage. Using a visual language that combines the tactile and the digital touch she explores conflict and power relations: the subjugator and the subdued, technology and the earth, the cosmic and the human, the colonizer and the colonized. She has an MFA from the Slade school of Fine Art, London and an MA in Art and Politics at Goldsmiths University, London. Since 2012 she regularly exhibits her work in Video Art Festivals, Video Dance Festivals, residencies and exhibitions around the world. Her films have been screened in festivals including: Cairo Video Art Festival, Buenos Aires International Video Art Festival , Bucharest International Video Dance Festival, Black Mountain College Video Dance Festival, IPPE 8th Conference in Political Economy Berlin and experimental video art festivals in Taiwan, Moscow, Italy, Greece, France, Spain, Portugal, India, Ecuador, Istanbul, among others.
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website: www.emiliaizquierdo.com
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Mariana Kaufman is a filmmaker and visual artist from Rio de Janeiro, a partner at Fagulha Filmes. Graduated in Cinema and Design, studied Visual Arts at EAV, Screenwriting at NYU and Post graduated in screenwriting in PUC Rio where she is currently writing her master theses in Literature, Culture and Contemporary. Her films have been exhibited in Festivals around the world such as Edinburgh International Film Festival (UK), Festival du Nouveau Cinema (Montreal), Havana Film Festival (Cuba), Bogota Int’l Short Film Festival (Colombia), FIDOCS (Chile), Semana Festival (Rio), Rio Int’l Film Festival (Rio) and in other Festivals in NY, Paris, Stockholm, London among other cities. She participated in the Bolivian Art Biennial and received an Honorable Mention at the II Reynaldo Roels Jr. Award at the Museum of Modern Art in Rio de Janeiro together with the Parque Lage School of Visual Arts. Her work has also been part of exhibitions in some important Cultural Centers in Brazil and she has participated in some art residences in Brazil and Lisbon. Mariana also curates Retrospectives and Film Programs such as the first Jia Zhangke’s retrospective in Brazil, where she organizes books and catalogues.
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selected works:
"Mehr Licht!": https://vimeo.com/222933382
"The lighthouse Island": https://vimeo.com/222624611
"Still Life": https://vimeo.com/190607866
"Confete": https://vimeo.com/164195442
Fagulha Filmes: www.fagulhafilmes.com.br
website: www.marianakaufman.com
"Mehr Licht!": https://vimeo.com/222933382
"The lighthouse Island": https://vimeo.com/222624611
"Still Life": https://vimeo.com/190607866
"Confete": https://vimeo.com/164195442
Fagulha Filmes: www.fagulhafilmes.com.br
website: www.marianakaufman.com
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Raquel Morais is a researcher, film critic and programmer originally from Lisbon and currently based in London, studying for an MA in Film Programming and Curating at Birkbeck, University of London. She holds a BA in Portuguese and Brazilian Literature and an MA in Literary Theory with a dissertation on the early works of Samuel Beckett. She previously worked for a Portuguese film company focused on the production, exhibition and distribution of arthouse and independent cinema; at the MoMA Department of Film as a research assistant; and as a projectionist trainee at the Portuguese Cinematheque. Her research interests are mostly connected to the relations between cinema and literature, as well as exchanges between fiction and reality regarding documentary practices.
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Akosua Adoma Owusu is a Ghanaian-American filmmaker and producer whose films have screened worldwide in prestigious film festivals, museums, galleries, universities and microcinemas since 2005. Her work addresses the complexities of living as an African immigrant in the United States and experiencing a collision of identities resulting in a “triple consciousness”. Owusu interprets Du Bois’ notion of double consciousness and creates a third identity or consciousness, representing the diverse consciousness of women and African immigrants interacting in African, white American, and black American culture. She has exhibited worldwide including Berlinale, Oberhausen, Rotterdam, and the Film Society of Lincoln Center. She participated as a featured artist at the 56th Robert Flaherty Seminar programmed by renowned film critic Dennis Lim. Owusu is the recipient of many awards including an African Movie Academy Award, Creative Capital grant, and Guggenheim Memorial Foundation fellowship. Her work is included in the permanent collections of the Whitney Museum of American Art, the Centre Pompidou and the Fowler Museum. Owusu received her MFA in Film/Video and Art at the California Institute of the Arts. Currently, she divides her time between Ghana and New York, where she works as a Visiting Assistant Professor at the Pratt Institute in Brooklyn.
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selected works:
"Mahogany Too" (2018)
"On Monday of Last Week (2017)
"Reluctantly Queer" (2016)
"Bus Nut" (2015)
"Kwaku Ananse" (2013)
"Split Ends, I Feel Wonderful" (2012)
"Drexciya" (2010)
"Me Broni Ba" (2009)
"Boyant: A Michael Jordan in a Speedo is Far Beyond the Horizon" (2008)
"Revealing Roots" (2008)
"Intermittent Delight (2007)
"Tea 4 Two" (2006)
"Ajube Kete" (2005)
"Mahogany Too" (2018)
"On Monday of Last Week (2017)
"Reluctantly Queer" (2016)
"Bus Nut" (2015)
"Kwaku Ananse" (2013)
"Split Ends, I Feel Wonderful" (2012)
"Drexciya" (2010)
"Me Broni Ba" (2009)
"Boyant: A Michael Jordan in a Speedo is Far Beyond the Horizon" (2008)
"Revealing Roots" (2008)
"Intermittent Delight (2007)
"Tea 4 Two" (2006)
"Ajube Kete" (2005)
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Tom Rosenberg is a non-fiction filmmaker based in New York. His films explore characters trying to manage the anxieties arising from trauma and extreme violence. His work has won awards and screened internationally at film festivals including Locarno, HotDocs, The Viennale, CPH:DOX, and Art of the Real. In addition to teaching documentary and experimental film he is also a licensed private investigator.
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website: tomrosenberg.net
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Vladimir Seput is Film critic, curator and translator. Originally from Croatia, now based in London. He holds an MA in French and Czech Literature from University of Zagreb and he did a year-long doctoral research in film theory at Paris 8 University. He published numerous reviews and essays on cinema in Croatian and English. He translated five books from French to Croatian (mostly theory) and dozens of essays. He is currently doing his MA in Film Programming and Curating at Birkbeck, University of London where his practice particularly revolves around continental European film and moving image in contemporary art context.
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Sophia Stoltenberg was born and raised in a small town next to the baltic sea, where the most trendy colour is still khaki. After she expanded her personal horizon in Berlin (#classic), she began her cultural studies in Lower Saxony – and got in touch with filmmaking. She took part in the young film collective JUENGLINGE, where they realized music videos about gender and sexuality. Besides she gained experiences in several non-profit and profit film productions as a PA, unit manager, 1st AD, set designer and grip assistant. But after some jobs for full-length films, she realized that she is too impatient for this kind of production flow. She was burning to turn more ideas into reality. Maybe that is why some of her friends call her Sofire. Maybe it is, because she frequently use the fire emoji.
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However: She starts to focus on pointed narratives and visual ways of telling a story. So right now she is working as a Junior Creative Producer at 27 KILOMETER ENTERTAINMENT, which is one of the biggest commercial production companies in Germany. She supports shootings production- and concept-wise. Furthermore she scout directors, develops concepts and takes care of their inner forum, where they discuss films and artists of all kinds.
Most recently she works as an in-house director as well. Besides that, she started HOKAIDO – Visual Superfood, where she produces and directs rap visuals for fun.
selected works:
"Master Niggel - Gelato": https://www.youtube.com/watch?v=qUuf7N8KLHg
"Master Niggel - Seife": www.youtube.com/watch?v=DQF9Uex6gjU
"Evvol - Physical L.U.V.": vimeo.com/164807478
"I am your son": www.juenglinge-film.de/case_IBES.html
Most recently she works as an in-house director as well. Besides that, she started HOKAIDO – Visual Superfood, where she produces and directs rap visuals for fun.
selected works:
"Master Niggel - Gelato": https://www.youtube.com/watch?v=qUuf7N8KLHg
"Master Niggel - Seife": www.youtube.com/watch?v=DQF9Uex6gjU
"Evvol - Physical L.U.V.": vimeo.com/164807478
"I am your son": www.juenglinge-film.de/case_IBES.html
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A native of a small Siberian town, Alyona Tereshko lives and works in St. Petersburg. She graduated from the very traditional St. Petersburg Stieglitz State Academy of Art and Design (2013), and began working with moving image while subsequently studying at PROARTE Foundation program. Alyona is active in St. Petersburg underground arts collectives (Parazit, Sever7, The Kitchen, HudKruzhok), as regular participant in the international projects and exhibitions. Her films have been selected for the International Competition at the 61-th and 62-th Oberhausen Festivals.
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selected works:
"Girl from the Urals": https://drive.google.com/file/d/0B6xopBE6-SoxaE8xN3d0cE5hd3c/view?usp=sharing
"The Field": https://drive.google.com/file/d/0B6xopBE6-SoxbndsVnZKb3I3bU0/view?usp=sharing
"Just My Own": https://vimeo.com/87161497 (PW: tolkomoii)
"Black & sea": https://vimeo.com/137770302 (PW: black&sea)
"Girl from the Urals": https://drive.google.com/file/d/0B6xopBE6-SoxaE8xN3d0cE5hd3c/view?usp=sharing
"The Field": https://drive.google.com/file/d/0B6xopBE6-SoxbndsVnZKb3I3bU0/view?usp=sharing
"Just My Own": https://vimeo.com/87161497 (PW: tolkomoii)
"Black & sea": https://vimeo.com/137770302 (PW: black&sea)
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Tom Varley (UK 1985) is an artist working with film, video, text and installation. His artworks explore themes of prediction, prophecy and projection, considering the effects of advanced technology and the internet on human thought, speech and memory. Tom studied Fine Art at Glasgow School of Art in 2008 and completed an MFA at Goldsmiths College, London in 2017. Over the past few years Tom’s work has been shown in exhibitions and screenings at venues including, Shanghai Minsheng Art Museum; MUPO Oaxaca; Global Committee New York; Volksbuehne Pavilion Berlin; Tramway Glasgow; ICA and Whitechapel Gallery London. In 2018 Tom has been the recipient of a Jerwood Artist Bursary.
website: tomvarley.net vimeo.com/tomvarley |
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Casey Wei is an interdisciplinary artist, filmmaker, and musician based in Vancouver. Her practice has evolved from filmmaking (Murky Colors in 2012, Vater und Sohn / Father and Son / 父与子 in 2013), into works that cross over between art, music, and the community at large (Kingsgate Mall Happenings in 2014, Chinatown Happenings in 2015, the art rock? series 2015-present, and the Karaoke Music Video Free Store in 2017). In 2016, she began Agony Klub, a music and printed matter label that releases material under the framework of the #popularesoteric. Her music projects include Kamikaze Nurse, hazy, and Late Spring. She is currently working on a documentary about the Vancouver music scene.
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Nie Xiaoyi is a curator and critic based in London and currently conducting a Ph.D. research in Royal College of Art. She has been looking widely at art projects in social spaces and exploring collective marching as a process-based curatorial model. Having studied the curatorial, art history and political philosophy, Xiaoyi is interested in situations intensifying bodily experiences. Xiaoyi is also a dedicated observer and curator of still and moving images and has accumulated diverse experiences in working with artists and institutes in China and UK. She was recently invited to be a nominator and curator for Jimei-Arles Discovery Award.
website: nxy.one |
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Yihao Zheng is a New York-based filmmaker whose films and other expanded works explore the boundaries of individuals, the motions of urban landscapes, and the embodiments of historical memories and the gesture of testing one’s own free will. Working on experimental and hybrid narrative filmmaking, he has made a number of short films and a documentary. He studied film directing and worked as an independent filmmaker in Beijing, and is now completing an MFA in directing at Columbia University.
selected works: "Poetry of Mountains": https://vimeo.com/zhengyihao/shiren "Expatriate Dreamer": https://vimeo.com/zhengyihao/dreamer |
